ARGH! NEW SKETCH! NEW SKETCH! NEW SKTECH!NEWSKETTCH"1NEWSKTENC!RDJLWEJFJ
KLSEKJCSMMVML!!!!1111ONEONEONE
And for this, we have Josh and Leo to thank.
Right.
Sexy Boy by Air.
Corridor at school, people standing around, casual, looking around nervously.
Singing starts, in comes Inappropriate Stephen, slow-mo. Licking lips, nodding, pointing and winking etc.
Verse 1, approaches girl who looks like she's feeling a mixture of horror and arousal. Licks her face or something disgusting, points at her and mouths the word 'you', winks, rubs body, touches breast.
THE BESTTHESBESTHTEBSTJEFKLEFKLSD!!!!222TWOTWOTWO
Showing posts with label kirsty. Show all posts
Showing posts with label kirsty. Show all posts
Wednesday, 21 May 2008
Sunday, 23 March 2008
Saturday, 22 March 2008
Frank's Video Blog
Created by Josh, this idea is intended to be a stop-frame claymation of a man sitting at his computer, gossiping and generally discussing everything ever.
Topics:
- MySpace
- His neighbour (who looks EXACTLY like him)
- A 'best lawn' competition (which his neighbour wins)
- His wife, who he believes to be cheating on him (probably with the neighbour)
- 2 Girls, 1 Cup ("What's this? '2 Girls, 1 Cup'...")
This is what the man looks like so far, as sculpted by The Jones.

Topics:
- MySpace
- His neighbour (who looks EXACTLY like him)
- A 'best lawn' competition (which his neighbour wins)
- His wife, who he believes to be cheating on him (probably with the neighbour)
- 2 Girls, 1 Cup ("What's this? '2 Girls, 1 Cup'...")
This is what the man looks like so far, as sculpted by The Jones.


Labels:
claymation,
Frank,
Jones,
kirsty,
mojo,
sketch,
stop-frame
Genital Awareness
A-ha! While we were sitting around talking, the topic of genital awareness arose. As it does. This evolved into a group discussion on what would happen if a baby got genital awareness during its own birth. And so this sketch was born.
A pregnant woman is lying in bed, huffing and panting while nurses stand around looking worriedly between her legs. There is a close up on her 'opening up' (shall we put it?) and a babies head popping out. The baby blinks once or twice and looks curiously around until it suddenly becomes genitally aware and starts screaming.
B: AAAARGHHHH I'VE GOT GENITAL AWARENESS!!! SHIT I'M IN A VAGINA!! I AM IN MY MOTHERS VAGINA!! MY HEAD IS IN MY MOTHERS VAGINA OH GOD PLEASE SOMEBODY GET ME OUT OF HERE THIS IS MORALLY WRONG!!!! ARRRRRRGHHHHHHH GENITALS ALL AROUND MY FACE!!! ARRRRRRRRRGHHHHH!!!!!
It flails its little arms around and eventually pops out.
Le End.
A pregnant woman is lying in bed, huffing and panting while nurses stand around looking worriedly between her legs. There is a close up on her 'opening up' (shall we put it?) and a babies head popping out. The baby blinks once or twice and looks curiously around until it suddenly becomes genitally aware and starts screaming.
B: AAAARGHHHH I'VE GOT GENITAL AWARENESS!!! SHIT I'M IN A VAGINA!! I AM IN MY MOTHERS VAGINA!! MY HEAD IS IN MY MOTHERS VAGINA OH GOD PLEASE SOMEBODY GET ME OUT OF HERE THIS IS MORALLY WRONG!!!! ARRRRRRGHHHHHHH GENITALS ALL AROUND MY FACE!!! ARRRRRRRRRGHHHHH!!!!!
It flails its little arms around and eventually pops out.
Le End.
Labels:
claymation,
Dan,
genital awareness,
Jones,
kirsty,
Leo,
mojo,
sketch,
stop-frame
Terry Says Hush: Sweets
Yesterday we created our first 'Terry Says Hush' and here is the result. Some quotes in response:
"HAHAHAAHAAAAAAAHAHAHAAAAA" - Will
"Terry-fying." (bad pun.)
"There is more emotion in that beard than in both of the lead actors. The Oscar nomination was well deserved."
Anyway, have a look, a listen, and maybe even a little grope.
"HAHAHAAHAAAAAAAHAHAHAAAAA" - Will
"Terry-fying." (bad pun.)
"There is more emotion in that beard than in both of the lead actors. The Oscar nomination was well deserved."
Anyway, have a look, a listen, and maybe even a little grope.
Saturday, 16 February 2008
Sketch 4 - ERRRR
2 females, 1 male
F1 introducing
F1: Heya Suze, this is Mike. Mike, this is Suze.
F2: Hi
M: Hey
[obvious camera angles to indicate attraction between F2 and M1]
F1: You know, Mike was just telling me about himself. Turns out you guys grew up in the same area.
F2: Really?
F1: Yeah, and his parents were gardeners too
F2: Oh?
M: Yeah... they're dead now...
F2: Oh my Gosh, mine too... You know, this reminds me of a song...
EEEEEEEEEEEEHRRRRRRRRRRRRRRRRRRRRRGHHHHH [makes a series of various disgusting noises that in some places may pass as songs but in others would pass as the anal excretations of a whale]
F1 introducing
F1: Heya Suze, this is Mike. Mike, this is Suze.
F2: Hi
M: Hey
[obvious camera angles to indicate attraction between F2 and M1]
F1: You know, Mike was just telling me about himself. Turns out you guys grew up in the same area.
F2: Really?
F1: Yeah, and his parents were gardeners too
F2: Oh?
M: Yeah... they're dead now...
F2: Oh my Gosh, mine too... You know, this reminds me of a song...
EEEEEEEEEEEEHRRRRRRRRRRRRRRRRRRRRRGHHHHH [makes a series of various disgusting noises that in some places may pass as songs but in others would pass as the anal excretations of a whale]
Sketch 3 - Mr Suave
Sex man
Jo plays a suave young player and his various disgusting attempts at sexual moves/positions e.g. Spiderman, The Houdini, Torpedo, One-Legged Leprechaun
One-Legged Leprechaun
J comes out of bathroom with various objects, starting off normal (candle, chocolates, a rose, condoms etc) to more bizarre objects (a cucumber, a leprechaun, a false leg)
K: No.
[J ushers out 3 large Germans in lederhosen]
J: It's off, guys.
G: Vat? Dost she not vant our [insert name of disgusting German sausage here] (innuendo) [holds up sausage]
Jo plays a suave young player and his various disgusting attempts at sexual moves/positions e.g. Spiderman, The Houdini, Torpedo, One-Legged Leprechaun
One-Legged Leprechaun
J comes out of bathroom with various objects, starting off normal (candle, chocolates, a rose, condoms etc) to more bizarre objects (a cucumber, a leprechaun, a false leg)
K: No.
[J ushers out 3 large Germans in lederhosen]
J: It's off, guys.
G: Vat? Dost she not vant our [insert name of disgusting German sausage here] (innuendo) [holds up sausage]
Sketch 2 - Terry Says Hush
J is reading a Terry Goodkind book. Voiceover reading aloud some of the book (which we will write ourselves) - on the back is a picture of Kirsty dressed as Terry Goodkind
J: What?! That makes no sense!!
in trots Kirsty dressed as Terry Goodkind
K: Hush...[covers mouth with finger, slipping and putting finger in mouth]
J: What?! That makes no sense!!
in trots Kirsty dressed as Terry Goodkind
K: Hush...[covers mouth with finger, slipping and putting finger in mouth]
Short Film - General Notes
Girl leading incredibly dull life - victimized by her family and peers. Retreats to world in her imagination. After a succession of bad luck she undergoes a transformation forsaking her original fantasies for those which are much darker; ultimately leading to her downfall.
Scene 1
Rainbows in the Dark
Tilly and the Wall
Dream sequence - nice
She (stop frame?) is a princess with her subjects who are all stop-frame animals and people dressed in fancy dress.
There is a wizard!
- Wizard says: 'Thank you Princess Jane! For restoring our Kingdom to its former glory, you shall live happily ever after!'
-Everyone standing around awkwardly - cocktail party
EITHER everyone is stop-frame
OR only the animals are stop-frame and we get people to dress up etc
Scene 2
Silence
Wakes up in an empty room
The room has an incredibly neglected air - other peoples junk etc - small attempts at brightening it
Goes downstairs to find parents (and brother?) already having breakfast in a minimalistic(?) kitchen - staring at table
No one greets her
Cut to her sitting at table with parents
Panning shot past her face to a big party and round again to reality
Birds eye shot of empty bowl - mother splodges porridge into it
Smiley face in porridge
P.O.V. shot - Mother hands her an envelope
she opens it - inside is a scrap of paper with 'Happy Birthday' scrawled onto it
She leaves the house - cue music
Scenic World
Beirut
OR
*Section 12 (Hold Me Now)
Polyphonic Spree
Drab streets she walks through fill with her fantasy - singing, dancing, giving her flowers etc
When she enters the school there is silence. She walks into the classroom and sits down.
Scene 3
Title Sequence
Meaningless
The Magnetic Fields
She wanders through the school with credits appearing on everyday objects
T-shirt
Dan's poster
Converse
Graffiti
Carved into a tree
Blackboard/whiteboard
School meal - chips
Stationary
Flute case - Ollie
CD's
Starts with a pan-up from her desk
Overhead and behind shot of students
Everyone is grey but her
P.O.V. shot - teacher shouting and pointing at the board
'Directed by Kirsty Judge and Joanna Graham'
Girl - deadpan expression
P.O.V. of desk w/ claymation animals
She is doing a detailed drawing of the boy in front
The drawing smiles and winks at her
Scene 4
In class she reads out her story
Jed's Other Poem (Beautiful Ground)
Grandaddy
Deadpan reaction from class and teacher
As leaving house, guys asks her to hang back
She imagines him asking to marry her - dressed for a wedding
Oh My Love
John Lennon
He says something mean - girls giggle and say "Josh, that was mean!"
Shrink and crush effect - stop frame
Scene 5
Other bad things
Scene 6
Gets home to find many post-it notes on the door - does them
About to leave kitchen - finds another one
Scene 7
Dan comes out of poster and sings
Les Jours Tristes
Yann Tiersen
dances around, spins her - almost kiss?
half-way through mother walks in and snatches poster off wall
Music cuts out - Dan flickers out
Transformation scene
You and Me and Rainbows
The Tear Garden
As she changes, all her plasticene friends are blown back in a ripple effect and melt
She leaves the house - on the way down the stairs she sees a plasticene animal and squishes it
Scene 8
Party scene
Flux
Block Party
As she enters the party she flickers from full out Red Indian war outfit to normal
Party goes badly
Leaves, gets boy to drive her home
Finds Dan on floor, drunk (because she is) flickering
Flickering images/montage of plasticene friends and various depressing stuff
Poster back on wall with a post-it on it saying 'Sorry - We need to talk'
'We need to talk' - spoken by mother, Dan, teacher, plasticene friends etc
Trashes room/house
She sits on her pavement and he sits down beside her and offers her a polo - he waited
Scene 9
Back at party
Kids at party find her dictaphone and a way to play it out across the party
MEANWHILE
they go to a roof - boy parks
meanwhile she sets up - lighting candles etc
plasticene people are back
she considers jumping
With or Without You
Keane
cut to party
laughing - about to set it up
cut back
boy comes back - they talk
a) something goes wrong and she falls
b) they're messing around - she falls
cut to party in silence and slow motion
girl and boy talking over the top
he catches her arm
'Don't let go'
Gardener's Delight
Joanna Graham
Scene 1
Rainbows in the Dark
Tilly and the Wall
Dream sequence - nice
She (stop frame?) is a princess with her subjects who are all stop-frame animals and people dressed in fancy dress.
There is a wizard!
- Wizard says: 'Thank you Princess Jane! For restoring our Kingdom to its former glory, you shall live happily ever after!'
-Everyone standing around awkwardly - cocktail party
EITHER everyone is stop-frame
OR only the animals are stop-frame and we get people to dress up etc
Scene 2
Silence
Wakes up in an empty room
The room has an incredibly neglected air - other peoples junk etc - small attempts at brightening it
Goes downstairs to find parents (and brother?) already having breakfast in a minimalistic(?) kitchen - staring at table
No one greets her
Cut to her sitting at table with parents
Panning shot past her face to a big party and round again to reality
Birds eye shot of empty bowl - mother splodges porridge into it
Smiley face in porridge
P.O.V. shot - Mother hands her an envelope
she opens it - inside is a scrap of paper with 'Happy Birthday' scrawled onto it
She leaves the house - cue music
Scenic World
Beirut
OR
*Section 12 (Hold Me Now)
Polyphonic Spree
Drab streets she walks through fill with her fantasy - singing, dancing, giving her flowers etc
When she enters the school there is silence. She walks into the classroom and sits down.
Scene 3
Title Sequence
Meaningless
The Magnetic Fields
She wanders through the school with credits appearing on everyday objects
T-shirt
Dan's poster
Converse
Graffiti
Carved into a tree
Blackboard/whiteboard
School meal - chips
Stationary
Flute case - Ollie
CD's
Starts with a pan-up from her desk
Overhead and behind shot of students
Everyone is grey but her
P.O.V. shot - teacher shouting and pointing at the board
'Directed by Kirsty Judge and Joanna Graham'
Girl - deadpan expression
P.O.V. of desk w/ claymation animals
She is doing a detailed drawing of the boy in front
The drawing smiles and winks at her
Scene 4
In class she reads out her story
Jed's Other Poem (Beautiful Ground)
Grandaddy
Deadpan reaction from class and teacher
As leaving house, guys asks her to hang back
She imagines him asking to marry her - dressed for a wedding
Oh My Love
John Lennon
He says something mean - girls giggle and say "Josh, that was mean!"
Shrink and crush effect - stop frame
Scene 5
Other bad things
Scene 6
Gets home to find many post-it notes on the door - does them
About to leave kitchen - finds another one
Scene 7
Dan comes out of poster and sings
Les Jours Tristes
Yann Tiersen
dances around, spins her - almost kiss?
half-way through mother walks in and snatches poster off wall
Music cuts out - Dan flickers out
Transformation scene
You and Me and Rainbows
The Tear Garden
As she changes, all her plasticene friends are blown back in a ripple effect and melt
She leaves the house - on the way down the stairs she sees a plasticene animal and squishes it
Scene 8
Party scene
Flux
Block Party
As she enters the party she flickers from full out Red Indian war outfit to normal
Party goes badly
Leaves, gets boy to drive her home
Finds Dan on floor, drunk (because she is) flickering
Flickering images/montage of plasticene friends and various depressing stuff
Poster back on wall with a post-it on it saying 'Sorry - We need to talk'
'We need to talk' - spoken by mother, Dan, teacher, plasticene friends etc
Trashes room/house
She sits on her pavement and he sits down beside her and offers her a polo - he waited
Scene 9
Back at party
Kids at party find her dictaphone and a way to play it out across the party
MEANWHILE
they go to a roof - boy parks
meanwhile she sets up - lighting candles etc
plasticene people are back
she considers jumping
With or Without You
Keane
cut to party
laughing - about to set it up
cut back
boy comes back - they talk
a) something goes wrong and she falls
b) they're messing around - she falls
cut to party in silence and slow motion
girl and boy talking over the top
he catches her arm
'Don't let go'
Gardener's Delight
Joanna Graham
Short Film Soundtrack
1. Rainbows in the Dark
Tilly and the Wall
2. Scenic World
Beirut
OR
*Section 12 (Hold Me Now)
Polyphonic Spree
3. *Meaningless
The Magnetic Fields
OR
Into Dust
Astar Command
OR
Lover I Don't Have to Love
Bright Eyes
4. Jed's Other Poem (Beautiful Ground)
Grandaddy
5. Oh My Love
John Lennon
WITH
??
6. Les Jours Tristes
Yann Tiersen
7. You and Me and Rainbows
The Tear Garden
8. Flux
Bloc Party
9. Gardener's Delight
Joanna Graham
10. After the Curtain?
Beirut
Others:
- Sleep the Clock Around
Belle and Sebastian
- Collapse the Light into Earth
Porcupine Tree
- My Head Sounds Like That
Peter Gabriel
- Glosoli
Sigur Ros
- Ladies and Gentlemen We Are Floating in Space
Spiritualized
- Pillars of Salt
Murder By Death
- Toby, Take a Bow
- Hey Eleanor
Casiotone for the Painfully Alone
- Comets
Piano Magic
- Submarine
Plamo
- Music500
Mark Graham
- Genius
The Murmurs
- Terminal Task
- Running to Oz
Joanna Graham
Tilly and the Wall
2. Scenic World
Beirut
OR
*Section 12 (Hold Me Now)
Polyphonic Spree
3. *Meaningless
The Magnetic Fields
OR
Into Dust
Astar Command
OR
Lover I Don't Have to Love
Bright Eyes
4. Jed's Other Poem (Beautiful Ground)
Grandaddy
5. Oh My Love
John Lennon
WITH
??
6. Les Jours Tristes
Yann Tiersen
7. You and Me and Rainbows
The Tear Garden
8. Flux
Bloc Party
9. Gardener's Delight
Joanna Graham
10. After the Curtain?
Beirut
Others:
- Sleep the Clock Around
Belle and Sebastian
- Collapse the Light into Earth
Porcupine Tree
- My Head Sounds Like That
Peter Gabriel
- Glosoli
Sigur Ros
- Ladies and Gentlemen We Are Floating in Space
Spiritualized
- Pillars of Salt
Murder By Death
- Toby, Take a Bow
- Hey Eleanor
Casiotone for the Painfully Alone
- Comets
Piano Magic
- Submarine
Plamo
- Music500
Mark Graham
- Genius
The Murmurs
- Terminal Task
- Running to Oz
Joanna Graham
Thursday, 14 February 2008
Animals
I thought it would be pretty cool to film Kirsty's many animals looking around while we say some serious political stuff over the top in the style of those really old sci-fi films.
Caris, her border collie will have had a love affair with Maisy (a cat who will have a googley eye on her forehead). Milo (another cat) will play the unreliable Emperor of some place (yes, vague - I know) and their rabbit will only speak in unintelligable screams which will then be captioned.
More later...
Caris, her border collie will have had a love affair with Maisy (a cat who will have a googley eye on her forehead). Milo (another cat) will play the unreliable Emperor of some place (yes, vague - I know) and their rabbit will only speak in unintelligable screams which will then be captioned.
More later...
Sketch 1 - Leo's Lunch
Ok. A brand new idea. After deciding we have way too many short comedy sketch ideas we finally decided to just compile them all into one show-type-thing. So here goes:
Idea 1: based on a real life incident told to us by Leo in which a man explodes under the wheels of a car. She is then unable to finish her lunch. We intend to change it slightly as locations such as we initially intended to use are hard to come by (a cafeteria opening onto a road on which we can stage someone getting run over by a car). For this reason, we now hope to film it from her perspective on a bench eating from a lunch box.
[Two men have a fight, switches to pers. of M1 who watches as M2 runs away. M1 turns around as you hear the squeal of breaks - camera falls onto floor on side and blood runs out. It then cuts to see Leo look down at her meal.]
L: Now I can't eat my lunch!
[L's P.O.V. to see that her lunch is in fact a small bloody body. An ambulence enters and carries off the body.]
We hope to film her lunch in stop-frame claymation.
Idea 1: based on a real life incident told to us by Leo in which a man explodes under the wheels of a car. She is then unable to finish her lunch. We intend to change it slightly as locations such as we initially intended to use are hard to come by (a cafeteria opening onto a road on which we can stage someone getting run over by a car). For this reason, we now hope to film it from her perspective on a bench eating from a lunch box.
[Two men have a fight, switches to pers. of M1 who watches as M2 runs away. M1 turns around as you hear the squeal of breaks - camera falls onto floor on side and blood runs out. It then cuts to see Leo look down at her meal.]
L: Now I can't eat my lunch!
[L's P.O.V. to see that her lunch is in fact a small bloody body. An ambulence enters and carries off the body.]
We hope to film her lunch in stop-frame claymation.
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